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kc2000-c.gif (12317 bytes)Pick a winner
Kansas City, July 2-9

 

Picking a winner:

How to score a barbershop contest

 

The first contest of the Barbershop Harmony Society, held in Tulsa, Oklahoma, in June of 1939, was an extremely casual affair. There were no score cards, no trained judges—in fact, no one's sure how many quartets actually competed. We do know that the Bartlesville Barflies of Bartlesville, Oklahoma, beat the Capitol City Four of Springfield, Illinois, after a "sing-off," and took home $50 and the coveted title of "World Champion Quartet."

The second contest, held at the New York World's Fair in 1940, was judged by a panel of dignitaries that included Governor Al Smith, whom one competitor overheard whispering to a fellow judge, "They all sound good to me—who should I vote for?"

SPEBSQSA's judging system has since become far more precise. Judges today undergo a rigorous, three-year training process leading to certification in one of three scoring categories: Singing, Presentation and Music.

 

Singing

The Singing judge evaluates the degree to which the performer achieves artistic singing in the barbershop style. This is accomplished through precise, in-tune harmonizing, a high degree of vocal skill and a high level of unity and consistency within the ensemble. Mastering these elements also creates a feeling of fullness, "ring" or expansion of sound throughout the performance.

 

Presentation

The Presentation judge evaluates how effectively a performer brings the song to life—that is, the believability of the theme in its musical and visual setting. He responds to both the vocal and visual aspects of the presentation and evaluates everything about the performance that contributes to emotional impact upon the audience.

 

Music

The Music judge evaluates the song and the arrangement, as performed. He adjudicates the musical elements in the performance—melody, harmony, range, tempo, rhythm and meter, construction and form, and embellishments—and the degree to which the musical elements of the song and arrangement display the hallmarks of the barbershop style.

 

Basic facts

Schedule:

Contest begins with 44 quartets in two sessions of quarter-finals Wednesday, July 5, 12:15 p.m. and 7:15 p.m.
The top 20 quartets advance to the semi-finals on Thursday, July 6, 7:15 p.m.
The top 10 quartets after this round (cumulative score) advance to the finals, Saturday, July 8, at 7 p.m.
More than 150 SPEBSQSA quartets compete in 16 preliminary rounds held across North America from March to May to qualify for the top contest.
The quartets from Sweden and England are the national champions of their respective affiliated organizations.

 

Rules in brief

Quartets each sing two songs in each round.
No man may sing in more than one quartet in a contest.
Past-champion quartets do not compete again, because "once a champion, always a champion."
No instrumentation is permitted.
No patriotic or religious songs may be sung.
Quartets cannot make verbal comments between songs or make more than one entrance and exit. All special effects must be operated by quartet members on-stage.
The international chorus and quartet contests are scored under the same system, by panels of five judges in each of the three categories. (The international chorus contest is a single round.)

 

"What makes these guys better than those guys?"

Listen for:

Clear, unforced, in-tune singing
Tight, cohesive sound
Close your eyes: do you hear a "fifth voice"? That ringing sound is called overtone, or expanded sound.

Look for:

Relaxed, comfortable bearing on stage
Appropriate costuming
Visual involvement with the message of the song—are they believable?

 

Years of preparation

While it’s nice to think of a "Cinderella" quartet stepping out of the crowd and capturing the gold medals, realistically, it takes several years of intense preparation to become serious challengers for the title. In addition to regular rehearsals, most competitors attend Society-sponsored clinics to receive professional coaching in vocal technique, musical interpretation and visual presentation. Most quartets work with a team of coaches in the months leading up to a contest, carefully planning and rehearsing every aspect of their performance to create a polished, professional presentation in rich, four-part harmony.

 

Print stories and photographs, and video and audio feeds featuring top contenders and contest footage will be available. Contact local affiliates for footage, or call Reed Sampson at 800-876-7464 x 8592 for further information.